Jigging for Lake Trout

Filmed over a period of three years, from summer 1963 to the late winter of 1965, and released in 1967, the Netsilik series was an attempt to recreate the traditional lifestyle of Netsilingmiut living in the area around Kugaaruk.

In this episode, the man and woman are ice fishing.

More signs of winter's end as more wildlife returns. The family makes an excursion for fresh fish from a lake. They build a karmak and move in the furs, cooking troughs, etc. The woman sets up her lamp, spreads the furs and attends to the children. There are signs of returning wildlife. The man moves out on the lake ice and chips a hole for fishing. He baits his hook and lowers it jigging the line to attract the fish. Crouched by the hole, he persists with his purpose and takes some fish, as does his wife who has joined him. Both remain at the hole through a severe blizzard.

Films in the Netsilik Series

At The Autumn River Camp

At The Caribou Crossing Place 

At The Spring Sea Ice Camp

At The Winter Sea Ice Camp

Building a Kayak

Fishing at the Stone Weir

Group Hunting on the Spring Ice

Jigging for Lake Trout

Stalking Seal on the Spring Ice

About the Netsilik series

These films reveal the live reality of traditional Inuit life before the European acculturation. The Netsilik of the Pelly Bay region in the Canadian Arctic had long lived apart from other people and had depended entirely on the land and their own ingenuity to sustain life through the rigors of the Arctic year. 

The filming was done during the summers of 1963 and 1964 and in the late winter of 1965 under the ethnographic direction of Dr. Asen Balikci of the University of Montréal, assisted by Guy Mary-Rousseliere, O.M.I., both anthropologists of wide Arctic experience. Quentin Brown was Producer-Director, and Kevin Smith the Executive Producer for the series. A minimum of cultural reconstruction was required during the filming; the Netsilik families readily agreed to live in the old way once more and showed considerable aptitude in recalling and representing the earlier ways of life.

Note on Term "Eskimo":

The films in this series make use of the name "Eskimo." While once broadly applied, it is a perjorative term and considered offensive. While the inception of the word is a matter of debate, it is no longer used or applied in our film catalog. The context in which the term appears in this series is an acknowledged relic of a colonial past, presented in its original version. DER apologizes for any offense caused.