In the midst of a traditional herding territory, a growing town and a new road encroach upon a once-isolated desert people. The complexities brought about by this modernization are shown as two fathers and their sons confront difficult choices between old ways and new.
The first part of the film provides the social, economic, and political background of the Boran and introduce themes developed in detail in other films. It establishes a base line for traditional lifestyles and attitudes, increasingly subject to pressures — both intentional and incidental — for change. The second part shows the complex set of educational problems facing young people and governments in a typical Third World setting. It has special relevance in courses that focus on comparative education, socialization and learning.
In its second half, the film follows the life of Peter Boru, a sixteen-year-old former herdsboy who has become a boarding school student. Peter's life is juxtaposed to a traditional herdsboy, Dokata. The question, "Education for what?" is posed when both tradition and modern forces common to developing areas make the economic outlook bleak for young people, even if they are able to complete local educational requirements.
Films in the Kenya series
Boran Herdsmen
Boran Women
Harambee: Pull Together
Kenya Boran
About the Faces of Change Collection
Faces of Change is comprised of 25 films that examine five cultures selected for their distinct geographic locations: starting with the China Coast at sea level and moving up to Taiwan, then to Afghanistan, Kenya and finally to the mountains of Bolivia. Each location is examined through five themes: Rural Society, Education, Rural Economy, Women, and Beliefs.
This innovative collection of 16mm films and videos was funded by the National Science Foundation, produced by Norman Miller and directed by some of the finest ethnographic filmmakers of its time.
